|
MUNTADAS
Né à Barcelone en 1942, vit à New York depuis 1971
Expositions
personnelles (sélection)
| 2000 |
Warning:
perception requires involvement, attitudes, Musée d'art et histoire,
Centre pour l'image contemporaine et insertion dans le quotidien
Le Temps |
| 1999 |
On
Translation : The Audience, 12 musées à Rotterdam, projet final
présenté au Witte de With, Rotterdam
* FRAC Basse Normandie, Caen
La Synagogue, Centre d'art contemporain, Delme
Biblioteca Luis Angel Arango, Bogota
Instituto de Cooperacion Iberoamericana, Montevideo |
| 1998 |
On
Translation :La mesa de Negociacion, Fundacion Arte y Tecnologia,
Madrid *
On Translation : The Monuments, (avec Etras Borosk), Ludwig
Museum, Budapest
On Translation: Culoarea, Arad Museum, Arad, Roumanie *
Sandmann + Haak Gallery, Hannover
Galerie Gabrielle Maubrie, Paris |
| 1997 |
Between
the Frames, Yokohama Portside Gallery, Yokohama
Galeria Luisa Strina, Sao Paulo
Salle de L'Ancienne Poste et Caisse d' Epargne, Arles
Museo de Arte Moderno, Buenos Aires |
| 1996 |
Balcons
Projeccions ,Des/aparicions, Centre d'Art Santa Monica, Barcelona
On Translation :The Games, Atlanta College of Ar, Atlantat
Nancy Solomon Gallery, Atlanta
Galerie de l'Ecole des Beaux-Arts ,Quimper |
| 1995 |
Marseille:Mythes
et Stereotypes, La Friche Belle de Mai, Marseille
Portrait, video projection, Kent Gallery, New York
Vera List Gallery, MIT, Cambridge *
StoreFront for Art et Architecture, New York *
Casa da Parra, Santiago de Compostela * |
| 1994 |
The
File Room, Chicago Cultural Center, Chicago
ICI/MAINTENANT, Galerie de l'Ancienne Poste, Le Channel, Calais
Between the Frames: The Forum, Wexner Center for the Arts, Columbus
*
CAPC, Musee d'Art Contemporain, Bordeaux *
Galerie Gabrielle Maubrie, Paris La Chapelle, Ecole Nationale
Supérieure des Beaux-Arts, Paris
Archief, Den Haag MOMA, New York Museu de Arte de Brasilia,
Brasilia |
| 1993 |
Christopher
Grimes, Santa Monica
Tiroler Letesmuseum Ferdineteum, Innsbruck
La Box, Ecole des Beaux Arts, Bourges*
Art Space, Sydney Kunst-Werke, Berlin * |
| 1992 |
CEE,
tapis, projet public dans les 12 pays membres de la CEE, Witte
de With, Rotterdam Intervencoes: a proposito do publico e do
privado, Fundacao de Serralves, Porto*
Worte: Die Presse Konferenz, Orangerie, Munchen
Ciudad Museu Angels 16, Barcelona
Stadium VIII, Pou / Ull, Centre del Carmen, IVAM, Valencia *
Palavras: A Sala de conferência de imprensa, Galería Graça Fonseca,
Lisboa
Palavras: Sala de Imprensa, Galería Luisa Strina, Sao Paulo
|
| 1991 |
ARCHITEKTUR
RAUME GESTEN, Galerie Brigitte March, Stuttgart
Ville Musée, Galerie Gabrielle Maubrie, Paris
Museum Stadt, Galerie de Lege Ruimte, Brugges
Words: The Press Conference Room, Indianapolis Museum of Art,
Indianapolis
STADIUM VI, Contemporary Arts Center, New Orleans
Image Forum, Tokyo Santa Barbara Museum of Art, Santa Barbara
|
| 1990 |
Israel
Museum, Jerusalem *
STADIUM IV, Charles H. Scott Gallery-Emily Carr College of Art
et Design, Vancouver STADIA, Furniture & Audience, Kent Fine
Arts Editions, New York
STADIUM V, Kent Fine Arts, New York |
| 1989 |
Stadium,
Walter Phillips Gallery, Banff *
Stadium II, Corner House, Manchester *
Stadium III, Ikon Gallery, Birmingham
CEE, tapis, Galerie des Beaux-Arts, Bruxelles
Gallery Moos, New York Galeria Benet Costa, Barcelona
Tomoko Liguori Gallery, New York Winnipeg Art Gallery, Winnipeg
|
| 1988 |
Hibridos,
Situacion, Monumento generico, Centro de Arte Reina Sofia, Madrid
* STETARD/especifico, Galeria Marga Paz, Madrid
STETARD/specifique, Galerie Gabrielle Maubrie, Paris
The Power Plant, Toronto *
La Criée, Rennes Palau de la Virreina, Barcelona * |
| 1987 |
Generic
TV, Musee d'Art Moderne, Villeneuve d'Asq
Generic still life, Galerie Gabrielle Maubrie, Paris
The Board Room, North Hall Gallery, Massachusetts
College of Art, Boston Cuarto do Fundo/Backroom, Galeria Luisa
Strina, Sao Paulo
Palacio de la Madraza, Granada *
Exit Art, New York * |
| 1985 |
Galeria
Fernando Vijande, Madrid *
Credits, Los Angeles Institute of Contemporary Art, Los Angeles
*
Marco/Cadre/Frame, Galeria Estampa, Madrid
San Francisco Video Gallery, San Francisco |
| 1984 |
haute
CULTURE (part II), Institute of Contemporary Art, Boston
haute CULTURE (part II), Santa Monica Place - Robinson's, Los
Angeles
haute CULTURE (part II), Atlanta College of Art, Atlanta
Anthology Film Archives, New York |
| 1983 |
haute
CULTURE (part I), Musée Fabre-Polygone, Montpellier
alta CULTURA (part I), Museu de Bellas Arts - Nou Centre , Valencia
*
Sygma, Bordeaux
Galerije Contemporary Art, Zagreb * |
| 1982 |
Drastic,
tapis, Addison Gallery of American Art - Phillips Academy, Andover
*
Projects for the Arts, Washington DC |
| 1981 |
Media
Eyes, (avec Anne Bray), Massachusetts Avenue, CAVS, MIT, Cambridge
Wet et Dry, Printed Matter, New York |
| 1980 |
La
Television, Galeria Vandres, Madrid *
The Kitchen, New York And/Or, Seattle |
| 1979 |
Between
the Lines, Film/Video Foundation, Boston
Dos colors, Espai B5-125 - Universitat Autonoma, Barcelona
Vancouver Art Gallery, Vancouver * |
| 1978 |
Yesterday,
Today, Tomorrow, PS1, New York
On Subjectivity, Hayden Gallery - MIT, Cambridge
Museum of Modern Art, "Projects: Video XVII", New York
Anthology Film Archives, New York |
| 1977 |
Anthology
Film Archives, New York
Everson Museum of Art, Syracuse, NY
Sala Tres, Sabadell |
| 1976 |
The
Last Ten 'utes (part I), The Kitchen, New York
Barcelona distrito uno, Galeria Ciento, Barcelona
Museu de arte y Ciencas, Mexico
International Cultureel Centrum, Anvers * |
| 1975 |
MAC,
Sao Paulo
CAYC, Buenos Aires |
| 1974 |
Automation
House, New York
Cadaques Canal Local, Galeria Cadaqués, Cadaqués
Galeria Vandres, Madrid * |
| 1973 |
Galeria
Rene Metras, Barcelona |
| 1971 |
Galeria
Vandres, Madrid * |
Expositions collectives (sélection)
| 1999 |
Fragile
Electrons, National Gallery of Canada, Canada
Festival Atlantico, Lisboa |
| 1998 |
Territorio
Plural, Fundacio La Caixa, Madrid
Home Screen Home, Witte de with, Rotterdam
Espejisma, Fundacio La Caixa, Barcelona
Video Memory I, Esca, Milhaud |
| 1997 |
Rooms
with a View: Environments for Video,Guggenheim Museum, NY Ethique/Esthetique/Politique,
Rencontres Internationales de la Photographie, Arles *
Roam Finale, Abnormal Temple, Taipei *
Documenta X, Kassel *
PS 1, Opening, Long Island City
Map the Gap, Storefront for Art et Architecture, New York
Descoverta de la colleccio, MACBA, Barcelona * |
| 1996 |
Artistes/Architectes,
Le Nouveau Musee, Institut Art Contemporain, Villeurbanne
III Mostra de video CCCB, Barcelona
Private TV/Public Living Rooms, LA Freeways, MOCA,Los Angeles
Homo Ecologicus, Fundacio Joan Miro, Barcelona *
Senales de Video, Museo Nacional Reina Sofia, Madrid *
Presents I Futurs: L'arquitectura a les ciutats,CCCB, Barcelona
*
Discord, Sabotage of Realities, Kunstverein et Kunsthaus, Hamburg,
*
Kybernettes, Biblioteca Luis Angel Arango, Santa Fe de Bogota,
Colombia *
Keeping Time, Ville Arson, Nice * |
| 1995 |
3e
Biennale d'art contemporain de Lyon, Lyon *
Els limits del museu, Fundacio Tapies, Barcelona *
Ars 95, Helsinki*
Museum in the Net NTT-ICC, Tokyo *
Behind the Bridge…, Filmmuseum, Amsterdam * |
| 1994 |
Arte
Cidade, Museu de Brasilia, Brasilia
Ideas and attitudes, Catalan Conceptual Art from 70s to 80s
Cornerhouse, Manchester et John Hansard Gallery, Southampton
* |
| 1993 |
Art
et Industrie, Rennes In Transit, New Museum of Contemporary
Art, NY
Critical Quest, Via Farini et Galeria Transepoca, Milano *
Desmontaje, IVAM, Valencia *
Bright Light, Schloss Presteneck, Stein am Kocher *
Images pour la lutte contre le SIDA Centre Georges Pompidou,
Paris |
| 1992 |
Video
et Oralite, Galerie des Beaux Arts/National Gallery, Ottawa
*
Imaquinaciones: 16 miradas al 92, Sociedad V Centenario, expo
itinérante Espagne *
Pour la suite du Monde, Musee d'Art Contemporain de Montreal
*
Idees i Actituds: entorn de l'art conceptual a Catalunya, 1964-1980,
Centre d'Art Santa Monica, Barcelona
Force Sight, Schloss Presteneck, Stein am Kocher *
Video Drive-In, Video Data Bank, Chicago
El artista y la ciudad, Fundacion Luis Cernuda, Sevilla
30.11, Galerie des Archives, Paris
Atelier d'artiste de la Ville de Marseille
Edge 92, Madrid et London *
Variaciones en gris, Centro Cultural de la Villa de Madrid,
Madrid *
Selected Passages, Galerie Jousse Seguin, Paris |
| 1991 |
Whitney
Biennal, Whitney Museum of American Art, NY *
Tele/Visions, Channels for Changing TV, Long Beach Museum of
Art, Long Beach *
Le Coeur et la Raison, Musee des Jacobins, Morlaix, Paris
Taormina Arte, Taormina *
4e Semaine Internationale de la Vidéo, Saint-Gervais, Genève
*
Munition: Politische Diskurse in der Amerikanische Videokunst,
711, Frankfurt |
| 1990 |
Rhetorical
Image, The New Museum of Contemporary Art, NY *
Das Regime der Bilder, Portikus, Frankfurt
Casino Fantasma, Casino Municipale, Venezia *
A New Necessity, First Tyne International, National Garden Festival
Gateshead * Alternative Voices, Video Drive-In Central Park,
NY Passages de l'image, Musée National d'Art Moderne, Centre
Georges Pompidou, Paris * |
| 1989 |
Metamedia:
Film/Video, Whitney Museum, NY *
Video Skulptur, Retrospektive und Aktuell, Köln *
Nuits Blanches, rencontres Internationale de la Photo, Arles
*
Corporate Identities, Cornerhouse, Manchester
Fictions, Aeroport Internacional de Mirabel, Mirabel/Canada
Public Domain, Kent Fine Arts, NY |
| 1988 |
Investigating
Video, Institute of Contemporary Art, Philadelphia *
International Letscape, Forum Stadt Park, Graz *
Re: Placement, LACE-Los Angeles Contemporary Exhibitions, Los
Angeles *
Lo Permeable del Gesto, Centro Galileo, Madrid |
| 1987 |
Perverted
by Language, Hilwood Art Museum, Long Island University Brookville-NY
*
La Imagen Sublime, Museo Nacional Centro de Arte, Reina Sofia,
Madrid *
The Arts for Television, MOCA, Los Angeles / Stedelijk Museum,
Amsterdam |
| 1986 |
Media
Hostages: A Video Triptych
Exit Art, NY |
| 1985 |
Tele/Visions,
Nexus, Contemporary Art Center, Atlanta *
The Winnipeg Perspective, The Winnipeg Art Gallery, Winnipeg/Canada
Desinformation: The Manufacture of Consent, The Alternative
Museum, NY *
Public Domain, LACE-Los Angeles Contemporary Exhibitions, Los
Angeles
Barcelona-Paris-New York, Palau Robert, Barcelona * |
| 1984 |
Propaganda,
Franklin Furnace, NY
Boston Now: Sculpture, ICA Boston *
Politics, PS1, The Institute for Art & Urban Resources, Long
Islet City, NY
Artists Call, Judson Memorial Church, NY
Television Interference, Presentation House, Vancouver *
Video: A Retrospective 1974-1984, Long Beach Museum of Art,
Long Beach *
Video Drive-In Grant Park, Chicago
Virreina: Dilluns Video, Palau de la Virreina, Barcelona *
The Magazine Stet Washington Project for the Arts, Washington
DC
From TV, to Video/Dal Video alla TV, L'Immagine Elettronica,
Bologna *
Berlin Film/Video Festival, Berlin III
Festival de Video de San Sebastian, San Sebastian |
| 1983 |
About
TV, Just Above Midtown, NY
Video Art: Art History, The Museum of Modern Art, NY
La Imagen del Animal, Palacio de las Alhajas, Madrid
17e Bienal de Sao Paulo: Six Metaphors/Six Alternatives, Sao
Paulo *
Comment, Long Beach Museum of Art, Long Beach
3 Mosaico, Galeria Fernando Vijande, Madrid
Fuera de Formato, Centro Cultural de la Villa de Madrid, Madrid
* Dark Rooms, Artists Space, NY * |
| 1982 |
Differenza,
Studio Trisorio, Napoli *
Reading Video, The Museum of Modern Art, NY
Images/Text Notes, Visual Studies Workshop, Rochester/NY
World Wide Video, Festival Kijkhuis, Den Haag *
Video Roma'82, Roma *
Video Visions, Boston BACA, Brooklin Arts & Culture Association,
Brooklin-NY
Art Video, Retrospectives et Perspectives, Palais des Beaux
Arts, Charleroi *
I Festival de Video de San Sebastian, San Sebastian, |
| 1981 |
XVI
Bienal de Sao Paulo, Sao Paulo *
Trois Installations, ELAC-Espace Lyonnais d'Art Contemporain,
Lyon International
Video Art Festival: Portopia 81, Kobe
TV Tactics, Anthology Film Archives, NY
Video/Comportament-Behavior/Art, Instituto de Estudios Norteamericanos,
Barcelona *
XII Setmana Internacional de Cinema, Barcelona *
100 Anys de Cultura Catalana, Madrid *
Llibres d'Artista Metronom, Barcelona * |
| 1980 |
Projected
Parts, Musee des Beaux-Arts de l'Ontario, Toronto
New Images from Spain, The Solomon R, Guggenheim Museum, NY
*
Video: el temps i l'espai, Collegi d'Arquitectes de Catalunya,
Barcelona *
Vigilance, Franklin Furnace, NY |
| 1979 |
Video
Viewpoints, The Museum of Modern Art, NY
Videowochen Essen'79 Museum Folkwang, Essen
Journees interdisciplinaires sur l'art corporel et performances,
MNAM, CGP, Paris |
| 1978 |
Video
entre l'Art i la Comunicacio Collegi d'Arquitectes, Barcelona
*
Mediart, Graz * |
| 1977 |
Documenta
6, Kassel * |
| 1976 |
Biennale
Internazionale d'Arte, Venezia *
copier / recopier, galerie Gaetan, Genève
Art amb nous mitjans, Espai 10, Fundacio Joan Miro, Barcelona
|
| 1975 |
Arte
de Video, Museo de Arte Contemporaneo de Caracas, Caracas *
IX Biennale de Paris, Paris *
Sztuka Video I Sociologiczna, Galerie Wspolzesha, Varsovia
Artists-Videotapes, Palais des Beaux Arts, Brusselles |
| 1974 |
Noves
Tendencies a l'Art Barcelona, Foment de les Arts Decoratives,
Barcelona
Art/Video Confrontation 74, Musee d'Art Moderne de la Ville
de Paris, Paris *
Impact Video Art, Musee des Arts Decoratifs, Lausanne *
Prospectiva 74, Museu de Arte Contemporanea da Universidade
de Sao Paulo |
| 1973 |
4
Elementos, Collegi d'Arquitectes, Valencia et Galeria Juana
de Aizpuru, Sevilla *
Informacio d'Art Concepte, Banyoles * |
| 1972 |
Encuentros,
Pamplona *
Arte de Sistemas II, CAYC, Buenos Aires *
Documenta 5 (documentary section), Kassel * |
| 1967 |
Salo
de Maig, Barcelona
Premi Joan Miro, Barcelona |
| 1966 |
Salo
de Maig, Barcelona |
| 1965 |
Salo
de Maig, Barcelona |
| 1964 |
Premi
Joan Miro, Barcelona |
| 1963 |
Machines,
Sala Lleonart, Barcelona |
Vidéographie (sélection)
| 1996 |
Political
Advertisement (1956-1996), (avec M.Reese ), 60' |
| 1995 |
Portrait
(loop), 6' La siesta/The Nap/Dutje, 8' |
| 1994 |
Marseille:
Mythe et Stereotypes, 53' |
| 1992 |
Between
the Frames: Chapter 2: The Collectors, 17'15''
Chapter 4: The Museum, 53'17''
Chapter 6: The Critics, 53'50''
Chapter 7: The Media, 49'
Chapter 8: Epilogue, 38'32''
Political Advertisement (1956-1992) (avec M.Reese), 55'63' |
| 1991 |
The
Limousine Project (avec Tony Serra), 5' |
| 1989 |
TVE:
Primer Intento, 40'
Video is Television?, 4' |
| 1988 |
Political
Advertisement 1956/1988 (avec M. Reese), 42'
Warnings, 7' |
| 1987 |
Cross
Cultural Television (avec Hank Bull), 35' |
| 1986 |
Slogans
(anglais), 8'
E/Slogans (esppnol), 12'
Slogans (français) Between the Frames: Chapter 1: The Dealers
- Chapter 3: The Gallery, 35' |
| 1984 |
Credits,
25'
Political Advertisement 1956/1984 (avec M,.Reese), 35'
This is not an Advertisement, 5'
Media Hostages (S.S.S), 5'40'' |
| 1983 |
Between
the Frames - Chapter 5: The Docents, 12' |
| 1982 |
Media
Ecology Ads, 14' |
| 1980/81 |
Watching
the Press/Reading Television, 10' |
| 1979 |
Between
the Lines, 26' |
| 1978 |
On
Subjectivity (about TV), 50' |
| 1977 |
Snowflake,
22' Liege 12/9/77, 18' |
| 1975 |
Transfer,
18' |
| 1972 |
Tactile
Recognition of a Body, 18' |
| 1971 |
Acciones,
12' |
Catalogues, publications, livres d'artistes (sélection)
| On Translation
: The Audience, textes de: Bartolomeu Mari, Marc Augé, Octavi
Rofes, Walter Benjamin et Barbara Kirchenblatt-Gimblett, Witte
de With, Rotterdam 1999 |
| On Translation
: The Monuments , textes de : Katalin Neray, Miklos Peternack,
Katalin timar et Susan Snodgrass, Ludwig Museum, Ludwig museum,
Budapest 1998 |
| Muntadas:
Proyectos/ Projects, textes de : Simon Marchan Fiz, Anne Marie
Duguet, Armet Mattelart et Paul Virilio, Fundacion Arte y Tecnologia,
Madrid 1998 |
| On Translation
:The Games, textes de : Christopher Scoates, Margaret Morse,
Christopher Phillips et Ronald Christ, Atlanta College of Art
Gallery, Atlanta 1996 |
| City
Museum? texte de :Bartomeu Mari, Storefront for Art et Architecture,
New York 1995 |
| Des/Aparicions,
textes de: Robert Atkins, Eugeni Bonet, Josep M, Montaner et
autres, Centre d'Art Santa Monica, Barcelona, 1996 |
| Verbas
A sala de Prensa, textes de : Margarita Ledo Etion et Anton
Castro, Xunta de Galicia, Santiago de Compostela, 1995 |
| Verbas
A sala de Prensa, textes de : Margarita Ledo Etion et Anton
Castro, Xunta de Galicia, Santiago de Compostela, 1995 |
| Muntadas
- Between the frames: the Forum, textes de : Debra Bricker Balken,
Bill Horrigan et autres, Wexner Center for the Arts, Columbus/Ohio
et MIT Vera List Gallery, Cambridge, Mass, 1994 |
| Muntadas,
textes de : Mary Anne Staniszewski, Catherine Francblin et autres,
CAPC, Musée d'Art Contemporain, Bordeaux 1994 |
| Muntadas,
Trabajos Recientes, textes de : Carmen Alborch, Margaret Morse
et Eugeni Bonet, IVAM Centre del Carme, Valencia 1992 |
| A Proposito
do Publico e do Privado, textes de : Michael Tarantino, Nena
Dimitrijevic et Alexetra Melo, Fundaçao de Serralves, Oporto
1992 |
| Chimaera
Monographie 8, Muntadas, texte de : Eugeni Bonet et Nena Dimitrijevic,
Edition du Centre de Création Vidéo Montbéliard Belfort 1992 |
| Ville-Musée,
texte de : Bartomeu Marí, Galerie Gabrielle Maubrie, Paris 1991 |
| 4e Semaine
Internationale de Video, texte de : Peggy Gale, Saint-Gervais,
Genève 1991 |
| Dissensi
tra film, video, televisione, textes de : Peggy Gale, Eugeni
Bonet, Interview: Gianfranco Mantegna, Taor'a Arte, Italy 1991 |
| A New
Necessity, textes de : Declan McGonagle et autres, Tyne International
et Projects UK 1990 |
| Rethorical
Image, texte de: Milena Kalinovska et Nena Dimitrijevic, The
New Museum of Contemporary Art, New York,1990-91 |
| Stadium
V, texte de : Daina Augaitis et Muntadas, Kent Fine Arts, New
York 1990 |
| Stadium
IV, texte de : Daina Augaitis et Muntadas, Charles H, Scott
Gallery, Vancouver 1990 |
| Stadium
III, texte de : Alan Fair, Ikon Gallery, Birningham 1989 |
| Stadium
II, textes de : Daina Augaitis, Jean Baudrillard, et Muntadas,
Cornerhouse, Manchester 1989 |
| Stadium
I, textes de : Daina Augaitis et Muntadas, Walter Phillips Gallery,
Banff 1989 |
| Installacions/Passatges/Intervencions,
textes de : Oriol Gual/Antoni Mercarder, Raymond Bellour, Brian
Wallis, Eugeni Bonet, Simon Marchan, et Muntadas, Palau de la
Virreina, Barcelona 1988 |
| Hibridos,
textes de : Vicente Todoli/Guadalupe Echevarria, Antoni Mercader
et Eugeni Bonet, Centro de Arte Reina Sofia, Madrid 1988 |
| The
Board Room, textes de : Ihor Holubizky, Brian Wallis, et Muntadas
(project notes), The Power Plant, Toronto 1988 |
| Exhibition,
textes de : Mary Anne Staniszewsky, Catherine Kempeneers, et
Emmanuel Windels, Exit Art, New York 1987 |
| Exposicion,
textes de : Robert Morgan et Kathy R, Huffman, Galeria Ferneto
Vijete, Madrid 1985 |
| Selected
Video Works, 1974-1984, texte de : Kathy R, Huffman, Los Angeles
Institute of Contemporary Art, Los Angeles 1985 |
| Treballs
Recents, Sala Parpallo, Valencia 1983 |
| Media
Letscape, texte de : Mark Mendel, Galerije Contemporary Art,
Zagreb 1983 |
| Media
Letscape, textes de : Edwin Diamond, Mark Mendel, et James Sheldon,
Addison Gallery of American Art, Phillips Academy, Etover/USA
1982 |
| 10 Proyectos/10
Textos, textes de : Margit Rowell, A, Cirici Pellicer, Roman
Gubern, Maria Teresa Blanch, Isabel Cardona, Victor Ancona,
Ferneto Huici, J,M,Ullan, Ferneto Vijete, Anne Bray et Ferol
Breyman, Galeria Vetres, Madrid 1980 |
| Dos
Colors, Espai B5-125, Universitat Autonoma, Barcelona 1979 |
| Subjectividade/Objectividade:
Informacao Privada/Publica, Galeria do Belem, Lisboa 1979 |
| Personal/Public
Information, texte de : Jo-Anne Birnie Danzker, Vancouver Art
Gallery, Vancou-ver 1979 |
| Muntadas,
textes de : Alexetre Cirili et Franscisco Rivas, ICC, Antwerpen
1976 |
| Proyecto
a traves de Latinoamerica, texte de : Walter Zanini, Museu de
Art Contemporanea da Universidade de Sao Paulo 1975 |
| Films
et Videotapes, Galeria Vetres, Madrid 1974 |
| Sobre
los subsentidos, Galeria Vetres, Madrid 1971 |
|